Moonset Through Pine Needles ©2010 Jason Ball
This is my first picture of the moon as it was setting the other day. Actually the image doesn’t show the amazing colours of the sky, or the intense glow of the moon and the bright moonlit landscape. Next time I’m going to set the camera to take a long exposure, with a tight aperture, on a tripod.
Choosing a video camera is complicated. A vast range of cameras present a baffling array of features and ‘video cameras’ aren’t always what you expect them to be. Nowadays most cameras record video – even phones do it.
Speficially designed video cameras are the right choice if you’re a proper TV professional or aspiring to cinema. But camcorders are catching up on resolution, faster than TV buying trends. And anyway, not everyone watches telly on telly. Web video is arguably becoming more important and, as yet, web broadcast quality doesn’t need to be high.
Camcorders have a lot to offer the customer who wants a bird in the hand. Camcorders used to have painfully small memories on hard drive, but now the solid state memory is more affordable, and they really have something going on…
Hang on, though. What about chunky, semi-compact cameras which more than match the average camcorder for megapixels, and take video with excellent definition?
Superzoom cameras such as the Canon SX1is (and my S5is) offer excellent value for money when it comes to telephoto power. Even the Canon Powershot SX range looks promising with 12x zoom. But ‘ordinary’ digital cameras like these have their weaknesses.
For instance – fast movement isn’t captured well on CMOS sensor chips. Action scenes are tricky on these things. Look for cameras that can record at a fast rate of 60 frames per second (fps) if this concerns you.
The ability to film for a long time is cramped by the capacity of memory cards. You can forget the problem if you only record little clips to add to your photographic archive. Filming acres of footage is OK if you can afford the latest, fastest, biggest capacity cards.
Single Lens Reflex (SLR) cameras, such as the Canon EOS 500D and their new 5D markII are astounding machines but again… they have their weaknesses.
As with your stills photography on an SLR, you need a range of lenses to adapt to different situations. Superzoom cameras avoid that, but huge zoom power compromises lens quality to some extent. (Thank Grud for optical image stabilisers.)
You can get around this SLR handicap simply. How about buying one of those big but cheap zoom lenses? For a Canon EOS you could get a Canon EF 55-250mm f4-f5.6 image stabilised lens. The 58mm diameter is massive compared to a camcorder, therefore physically superior in its optical definition.
Now you’re wondering – can you afford to get one or two extra lenses? Why not get a superzoom for the price of a decent SLR lens? I agree.
There’s an extra smugness point for the SLR photographer, though, who upgrades to a new SLR which can do video, and has already invested in lenses. (Canon’s professional ‘L’ range also fits their pro video camera range.)
Currently I think it’s still accepted that DV tapes are the profesisonal standard, and that memory cards aren’t as good. But who wants to deal with tape unless you’re a pro and you have the time to spin them?
Memory technology has leapt into a speedy evolution to keep up with the advancement of digital cameras. Most cameras use something like SD cards for their memory resource, and the cards are getting cheaper. (I expect that will change in a few years, but we’ll see.) The key factor is that cards are cheap and easy to use.
When it comes to quality, can a superzoom compact camera with an SD card beat a camcorder recording onto MiniDV tape? Not if it’s a decent new camcorder.
But a decent old one, yes! I remember being impressed by the Sony DCR-TRV11E digital handycam 8 years ago – with its fantastic features, night vision and 0.34 effective megapixels. But now you could blast away its quality level (despite DV tape and dual recording head) on a very affordable hard-drive camcorder. For example, the JVC Everio G GZ-MZ57-EK films with a far superior 1.23 megapixels, delivering 720p high definition resolution.
Mini DV tapes hold the quality of the image from the Sony handycam, but the tapes only hold what you put onto them. The camera and lens quality is more important than the recording media – as long as that media’s well matched to the camera.
What about handling low light levels? SLR cameras and compacts have a long way to come. This is partly because of the types of sensor in the modern cameras – and of course the manufacturers are adapting something which was originally designed for still image capture.
This video clip shows a colony of Soprano Pipistrelle bats. They are ’swarming’ at dawn outside a nursery roost.
I shot this on a Canon S5is, which has a very handy 12x optical zoom. The quality as shot is not impressive, but it’s not too bad. Better than I expected without a special ‘night’ mode.
Actually, I can even convert the digital files to DVD standard, which is quite pleasing to watch, especially when I compare some of the dreadful footage from DVD camcorders out there!
As I said, the camera and lens are the key. Look at this example of my friend Pete’s pocket camcorder. He’s got a small Kodak Zi8 which films full 1080p High Definition footage.
Firstly, I must say that daytime footage on Pete’s Kodak Zi8 high-definition video camera is brilliant. OK it struggled a bit with indoor shooting in a sports hall, but maybe you could tweak the white balance to get a better result. Bear in mind this is a pocket-sized camera!
When Canon brings video capability into their whole SLR range it’ll become less pricey. But I have to wait, I can’t afford to upgrade to a decent new Canon and nor can I afford to upgrade my computer systems to suit a workflow of huge video files, storage, etc.
So for now I’m sticking to my Canon S5is for video, and SLRs for stills. But at some stage I will upgrade to 1080p HD video. Which camera should be my target? What do you think my next move should be?
On ebay today I saw:
NB: all zooms I quoted are optical, of course!
My scrumptious picture of an organic turkey, gammon, bacon and sausages once again features on the Sheepdrove Shop website, where their Christmas Hamper takes pride of place among the seasonal goods.
Could my photos help you to boost your marketing? Commission me to photograph your marketing images, and capture your organisation on camera.
Check out my Autumnwatch nature notes at BBC Berkshire online…
I’m building a modest photo gallery for autumn, and adding notes each week. Having this little mission for the BBC gets me out shooting, which is good, although I didn’t have the right lens for the Red Kite, Buzzard and Kestrel which came tantalisingly close!
Autumn Hawkbit (click to enlarge)
